One split second … the moment that changed their lives forever.
When a car carrying five friends home from a party crashes into a wall, the consequences are devastating – not just for the young people directly involved, but also for their families and the wider community.
No one escapes unscathed, but some are more deeply scarred than others. Those affected are left to question who was to blame for the accident, and what price they will pay.
This moving story of an accident and its aftermath explores our understanding of love and loyalty, grief and forgiveness.
As a parent of young adults, I completely understand the premise at the heart of this book. Although I know my children are sensible, I hate the thought of them driving, more because of other drivers out there.
So the idea here is a really good one, with a lot of potential, and the opening scene is intriguing and so well-written, so moving. It really makes you want to read on.
There are some interesting characters here too, with some well thought-out back stories, and the relationships between them work very well.
But for me, all that potential just didn’t lead anywhere. There was nothing particularly unusual or surprising about what had happened, why it had happened, or the consequences. It all felt a little flat, unfortunately.
I’m a scrounger, a liar, a hypocrite, a stain on society with no basic morals – or so they say. After all, what else do you call a working-class single mum in temporary accommodation?
Skint Estate is the darkly funny debut memoir from Cash Carraway, a scream against austerity that rises full of rage in a landscape of sink estates, police cells, refuges and peepshows. A voice that must be heard.
Sometimes, when there’s an article posted on Twitter about foodbanks, or people having to choose whether to heat their homes or eat, I read the comments and wonder what’s wrong with people. I can guarantee that someone will say something about flat screen TVs (all TVs have flat screens), or mobile phones (you have to have internet access to apply for jobs, and access information and services relating to universal benefit, and a mobile is often the cheapest way) or alcohol and cigarettes, the lottery or scratch cards (no evidence that people in poverty buy these disproportionatly, and even if they do, well, god forbid the poor should have any pleasure, just sit on the floor and stare at the wall). Anyway, the ignorance, smugness, and lack of compassion always makes me furious. These people should read this book.
Cash Carraway tells it exactly like it is, with an intelligence and wit that makes reading this book bearable. Because without her skill as a writer, it would be unremittingly depressing. Which a life in poverty in the UK undoubtedly is.
The frustration of moving from temporary home to temporary home, of trying to find work that fits in with childcare, the sheer exhaustion of just trying to keep your head above water, the author relates these things with an honesty that is raw and brave, and with a scathing humour and a justifiable anger.
I’m currently reading ‘The Nanny State Made Me’ by Stuart Maconie, partly a celebration of the funded NHS, libraries, education, that my generation enjoyed and benefitted from. Had these things still been available, rather than completely decimated by recent policies, you can’t help thinking that Cash Carraway would have had a much better chance in life, that she would have had access to resources, to care, that would have set her on her path earlier, that she wouldn’t have had to have gone through what she has gone through, and write about it, to be a successful writer and journalist.
I come from a working class background, and I know first-hand the benefits of libraries, and student grants, and access to education. I have also had first-hand experience of the NHS providing lifesaving care for my child – goodness knows what would have happened without it. Reading of experiences like Cash Carraway’s and reading the way people like her are demonised and blamed for society’s ills really brings home just how much in danger we are of losing these things for good. I also wonder how much my life may have been like hers had I been born twenty or thirty years ago rather than fifty-odd years ago.
It’s not just a blessing for the author that her writing and her talent has been recognised, it’s a blessing for the rest of us – her work is so important, and deserves to be shared. She’s a real talent, and I do hope she’ll write more of her experiences.
A transcendent coming-of-age story about the ways a broken heart learns to love again.
One summer morning, a flight takes off from New York to Los Angeles: there are 192 people aboard. When the plane suddenly crashes, twelve-year-old Edward Adler is the sole survivor.
In the aftermath, Edward struggles to make sense of his grief, sudden fame and find his place in a world without his family. But then Edward and his neighbour Shay make a startling discovery; hidden in his uncle’s garage are letters from the relatives of other passengers – all addressed him.
Following the passengers’ final hours and Edward’s unique coming-of-age, Dear Edward asks one of life’s most profound questions:
What does it mean not just to survive, but to truly live?
I used to love flying – I even flew to Singapore by myself at the tender age of nineteen. I didn’t give safety or plane crashes a second thought. Then once I had children, it began to really bother me and I’m not sure why. Now, I really, really don’t like it and have to take Valium before a flight.
So a book centred around a plane crash may not have been the most sensible choice, but this was a really unusual and thought-provoking read, full of emotion, without being sentimental, and a really sensitive and intriguing take on a very unusual situation.
Edward is lovely, really sympathetically portrayed, his awkwardness, his confusion, his guilt, his grief, all so well-written. I really wanted him to find a sense of peace, contentment, and happiness.
The reactions of those around him, family, friends, strangers, is an interesting commentary on how we often feel entitled to bits of a person’s life, even if we don’t know them. For me, the interactions with the families of those who died in the crash were a highlight of the book.
My only niggle was that I really didn’t warm to Shay at all. Their friendship didn’t feel authentic to me. Otherwise a lovely book, beautifully-written, and intriguing.
Hasn’t made me feel any better about flying though!
Grace Park and Shawn Mathews share a city, but seemingly little else. Coming from different generations and very different communities, their paths wouldn’t normally cross at all. As Grace battles confusion over her elder sister’s estrangement from their Korean-immigrant parents, Shawn tries to help his cousin Ray readjust to life on the outside after years spent in prison.
But something in their past links these two families. As the city around them threatens to spark into violence, echoing events from their past, the lives of Grace and Shawn are set to collide in ways which will change them all forever.
Beautifully written, and marked by its aching humanity as much as its growing sense of dread, Your House Will Pay is a powerful and moving family story, perfect for readers of Celeste Ng’s Little Fires Everywhere and Paul Beatty’s The Sellout.
‘Your House Will Pay’ is inspired by the true story of the 1991 shooting of 15-year-old Latasha Harlins by a Korean convenience store owner. Set in 1991, a week after the beating of Rodney King, and against the backdrop of the LA riots, the novel explores the consequences of a similar incident – 15-year-old Ava Matthews, buying milk, is accused of stealing by the Korean store owner and shot dead. The shooting is witnessed by Ava’s little brother, Shawn
We catch up with Shawn in 2019, his older cousin Ray about to be released form prison. Things haven’t changed that much since 1991, and Grace and Miriam Park are attending a memorial for another black teenager, shot by the LAPD. Ava and Shawn’s Aunt Shelia is one of the speakers.
But there is more that connects these families. Another shooting brings the past out into the open for Grace, and she has to question everything – her parents, her upbringing, her place in the world.
One of the most interesting aspects of this novel for me was the way in which it explored how the past continually reaches into the future, and the way other people’s actions can have far‑reaching and sometimes tragic consequences for those who are blameless.
Shawn was the stand out character for me, written with such empathy. He has been through so much in his life and is trying his best to make a future for his family. But the one thing he can’t control is other people.
Timely, well-written, relevant, the sharp writing pulling no punches, this is a thought-provoking and important novel, that lays bare the injustices, the prejudices, the hate, discrimination, and the violence that many still endure every single day.
On a night out, four friends witness a stranger in trouble. They decide to do nothing to help.
Later, a body washes up on the banks of the Thames – and the group realises that ignoring the woman has left blood on their hands.
But why did each of them refuse to step in? Why did none of them want to be noticed that night? Who is really responsible?
And is it possible that the victim was not really a stranger at all?
Cassie, Anna, Dex and Bo have been friends for years, and despite two of them being in long term relationships with partners outside ‘The Group’, they are closer to each other than to anyone else.
But they’re getting older, in their thirties, and the cracks in ‘The Group’ are beginning to show – at least for Cassie, who seems to have always been just a bit on the outside.
It’s Cassie’s 32nd birthday that brings everything to a head. The four friends witness something horrible – and their reactions, both as individuals and as ‘The Group’ begin an unravelling in the friendship that will lead Cassie on the path of some really sinister discoveries.
It’s not easy to write characters that readers will despise while still making sure they are engaged and invested in the story. The author manages do that here. I didn’t care what happened to any of them, but I did care about what they witnessed and what was going to happen about that.
I wasn’t sure about the whole ‘fossil’ theme, and I did wonder at Cassie’s very quick friendships with Julie and Will but this is a very clever and complex novel, and definitely worth a read.
Generation W is a collection of 100 uncensored interviews with 100 unapologetic and leading British women from all generation who answer the same ten questions about what it was like to live through the 100 years since women began to receive the vote.
Dr Averil Mansfield – The first British female professor of surgery.
Sally Gunnell – The only female athlete to win Gold at Olympic, World, European and Commonwealth level.
Laura London – At 16 years old Laura was homeless, at 18 years old she was the youngest female magician to be inducted into the Magic Circle.
Alice Powell – on the centenary of women receiving the vote, Alice Powell became the first female racing driver to win a race in Saudi Arabia, in the same year it was finally made legal for women to drive in the country.
Stacey Copeland – growing up, boxing was illegal for women to compete in, in 2018 Stacey Copeland would become the first British woman to win a Commonwealth Title.
The great-granddaughter of legendary suffragette Emmeline Pankurst, HELEN PANKHURST
The first Black leader of a British political party MANDU REID
Former Vogue cover model, leading actress and environmentalist LILY COLE
Beyonce ‘Freedom’ and ‘Runnin’ songwriter CARLA-MARIE WILLIAMS
The first mainstream celebrated female of rock music SUZI QUATRO
Ten times European Gold Medallist Speed Skater ELISE CHRISTIE
BBC Radio 1 DJ JAMZ SUPERNOVAM
PR legend and activist LYNNE FRANKS OBE
Elusive grafitti artist BAMBI
Former Chair of British Library and principal at Newnham College, Cambridge University DAME CAROL BLACK
And many more.
Reading within you will find inspiring stories and truths on how remarkable women have overcome their toughest moments and be able to discover what makes them truly happy, beyond the accolades and legacy. Generation W is one of the most intimate and inspiring books of the 21st century. Now that is on Ebook you can read it anywhere and any time. Perfect for when you need a reminder what you can achieve when you fight for what you want in life.
There’s so much inspiration to be found in this book, that asks one hundred women the same questions, resulting in some very different answers.
The interviewees come from so many diverse walks of life and all have their own very individual stories to tell. Each woman featured has their own take on what it is like to be a woman in the modern world, what has inspired them, what advice they would give to other women, and how they feel women are portrayed.
It’s lovely to have the voices of so many different women showcased and the interviews provide a varied and inspiring look at just what women are capable of and can achieve.
I do feel that things became a little repetitive and formulaic with the same questions being asked, but I can really appreciate why the authors chose to do this. I think that, because of this structure, this is really a book to dip into, to read two or three interviews and then to dip into again on another day.
I liked that the women were given the freedom to use their own voices and that their replies were included exactly as they were given. That said, the introductions to the interviews and the other sections of the book could have done with a bit of tidying up – the book would really benefit from an edit and proofread, which is a shame, because it does detract somewhat from the interviews.
That said, this is a very thought-provoking book that’s most definitely worth a read.
All Anna wants is to be able to sleep. But crushing insomnia, terrifying night terrors and memories of that terrible night are making it impossible. If only she didn’t feel so guilty…
To escape her past, Anna takes a job at a hotel on the remote Scottish island of Rum, but when seven guests join her, what started as a retreat from the world turns into a deadly nightmare.
Each of the guests have a secret, but one of them is lying – about who they are and why they’re on the island. There’s a murderer staying in the Bay View hotel. And they’ve set their sights on Anna.
Seven strangers. Seven secrets. One deadly lie.
‘Sleep’ is very well-written, has a fascinating setting, and, while I’m usually good at guessing the culprit, I had no idea who it was in the case, until very close to the end.
So the novel works very well on that level, and if a good solid mystery is what you’re after, then this should definitely be your cup of tea.
But, having read the blurb, and some of the reviews, I was really expecting this to be an edge of the seat, scary and thrilling read. Unfortunately, I didn’t find that to be the case. While there are all the elementsthere for a creepy, terrifying suspense, I just didn’t work for me on that level.
A shame, but I have previously read ‘The Fear’ by the same author which I really enjoyed, so I would definitely read more of C. L. Taylor’s work.
A web of a plot that twists and turns and keeps the reader on the edge of their seat. This formidable debut is a page-turner, but don t read it before bed if you re easily spooked! SUN
You think you know who to trust? You think you know the difference between good and evil? You’re wrong …
The body of the head teacher of an exclusive Devon school is found hanging from the rafters in the assembly hall.
Hours earlier he’d received a package, and only he could understand the silent message it conveyed. It meant the end.
As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.
But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.
And once they learn what s motivating this killer, will they truly want to stop him?
SMART. GRIPPING. GRUESOME.
This is a psychological crime thriller in a class of its own.
WARNING: Most definitely *not* for the faint-hearted!
This certainly promised a lot – but unfortunately it didn’t deliver.
I’m not bothered by gore or the gruesome. I’m happy to read most things as long as they’re well-written. So the subject matter didn’t worry me at all.
The idea behind this novel is really sound and has loads of potential. A series of grisly murders, a couple of potentially likeable detectives, some interesting characters and a twisty conspiracy theory. All the elements for a great page-turner are there.
But the editing is dreadful. The dialogue is unwieldy and strangely formal (use contractions for goodness sake!). There are lots and lots of long-winded sentences that drag on and on. I couldn’t believe this was published by Harper Collins.
I can’t blame the author for the poor editing, but I did feel that the motive behind the conspiracy was really woolly and not at all convincing.
Frustrating, because there’s a clever story here, that could be brilliant.
In a remote hunting lodge, deep in the Scottish wilderness, old friends gather for New Year.The beautiful one The golden couple The volatile one The new parents The quiet one The city boy The outsider
Not an accident – a murder among friends.
I love a good thriller where the story is character-driven, and this doesn’t disappoint.
A group of friends gather in a hunting lodge to celebrate New Year, but their apparently close friendships aren’t all they seem. In fact, they don’t seem to like each other very much.
Heather is the manager of the lodge, she’s there to escape something in her past. Doug, the enigmatic gamekeeper, is also hiding something. And the so-called friends seem to be hiding a lot of things from each other.
The story is told in flashbacks from the day a body is found, back and forth with the New Year celebrations, so we know what all the tension is leading up to – but we don’t know who the victim is or who did it. And there are so many skilfully placed clues and red herrings that the final revelation is a real surprise.
The landscape is almost a character in itself, beautifully described and so atmospheric.
There were just a couple of things that didn’t work for me. There was one aspect of the final outcome that didn’t quite ring true but I won’t say what that was for fear of spoilers. Also, I liked Heather so much, but I felt as though I didn’t get to know enough about her or her history.
That said, this is a really gripping and enjoyable read.
After what happened in London, Kirsty needs a fresh start with her family.
And running a guesthouse in the Welsh mountains sounds idyllic.
But then their first guest arrives.
Selena is the last person Kirsty wants to see.
It’s 17 years since she tore everything apart.
Why has she chosen now to walk back into Kirsty’s life?
Is Selena running from something too?
Or is there an even darker reason for her visit?
Because Kirsty knows that once you invite trouble into your home,it can be murder getting rid of it . . .
Having just moved from the south east of England to a small village in West Wales, I was intrigued to read this book.
It’s a great idea, with lots of different strands that are really interesting and that do keep you turning the pages to see what’s at the bottom of all these weird events.
I liked Kirsty and sympathised with her, particularly the situation she was in with her mum, grateful for the help, but irritated by her behaviour, and not able to say anything because of the gratitude! A horrible situation to be in.
But – there were so many strands here that it didn’t feel as if enough time was given to any of them. There was such a lot that could have made this into a much more satisfying novel, particularly the story around Selena and Ruby, and the resentment Kirsty felt towards her husband.
One of the ‘red herrings’ was dealt with so quickly and with no real depth whatsoever which was hugely disappointing.
And, as someone who has moved to Wales, I found the idea of the locals resenting the ‘incomers’ a bit of a tired old stereotype.
The ending too felt a bit odd and definitely needed to be developed further. The implications of the ending are absolutely huge and could be so interesting. But again, there was no real depth.
A real shame, because this could have been so good. There was a lot I really liked, but I wish it had been better.