Author: alisonewilliams

I trained as a journalist and currently work as a freelance editor, writer and researcher, with articles published both online and in a variety of print publications. I have edited books in a variety of genres including dystopian, memoir, erotica, fantasy and business - please see my blog for testimonials and information about services and rates. I work on a freelance basis for several academic writing companies where my work involves writing model essays, proofreading essays and dissertations and editing and improving academic work at all levels from foundation to Ph.D. standard. I copy write and edit for my husband’s communications consultancy. I have worked on a freelance basis for US clients and am happy to edit in either UK or US English. I have taught creative writing with a focus on grammar, punctuation, creativity, voice and expression. I have a first degree in English Language and Literature and a Master’s degree in Creative Writing. I am fascinated by history – but not so much the kings and queens, the emperors, the military heroes or the great leaders. More the ordinary people whose lives were touched by the decisions, the beliefs and the whims of those who had power over them and who now fill our history books. It is their stories that I want to tell. As part of my Master’s degree I wrote my first historical novel ‘The Black Hours’ based on the notorious Witchfinder General, Matthew Hopkins. I have also written a novella ‘Blackwater’. I am currently working on my next full length novel, ‘Remember, Remember’, set during the Gunpowder Plot of 1605.

‘The Art of Falling’ by Danielle McLaughlin #BookReview #FridayReads

Nessa McCormack’s marriage is coming back together again after her husband’s affair. She is excited to be in charge of a retrospective art exhibit for one of Ireland’s most beloved and enigmatic artists, the late sculptor Robert Locke. But the arrival of two outsiders imperils both her personal and professional worlds: a chance encounter with an old friend threatens to expose a betrayal Nessa thought she had long put behind her, and at work, an odd woman comes forward claiming to be the true creator of Robert Locke’s most famous work, The Chalk Sculpture.

As Nessa finds the past intruding on the present, she must decide whether she can continue to live a lie – or whether she’s ready to face the consequences once everything is out in the open. In this gripping debut, Danielle McLaughlin reveals profound truths about love, power, and the secrets that rule us.

This is quite a slow-paced novel, almost gentle in its composition, but that doesn’t mean it isn’t an absorbing read. It really is.

Nessa is a well-drawn main character, and it’s a relief to read about a middle-aged woman who has a lot of the faults and worries and insecurities that most of us do. She’s at a point in her life when things should be going smoothly – her career is established, her marriage has survived an affair, her daughter is growing up, she lives in a beautiful house – but it doesn’t take much for it all too start falling apart.

The little details of ordinary life really add something to the narrative. It makes it all feel so real, so authentic. And Nessa isn’t some sugar-coated super woman. She has her faults, can be childish and petty, selfish and shallow. But aren’t we all, sometimes?

It’s skillfully written, every word well-chosen. It’s one of those books that forces you to slow down, to read carefully, to enjoy every page.

My only gripe was that I did feel that Nessa let her husband off the hook rather too lightly, and I did feel we could have known a bit more about him, and his motivations.

But this is a thoroughly enjoyable novel.

‘Mirrorland’ by Carole Johnstone #TuesdayBookBlog #BookReview

One twin ran. The other vanished. Neither escaped…

DON’T TRUST ANYONE
Cat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known.

DON’T TRUST YOUR MEMORIES
To find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from.

DON’T TRUST THIS STORY…
The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…

The most dangerous stories are the ones we tell ourselves…
No. 36 Westeryk Road: an imposing flat-stone house on the outskirts of Edinburgh. A place of curving shadows and crumbling grandeur. But it’s what lies under the house that is extraordinary – Mirrorland. A vivid make-believe world that twin sisters Cat and El created as children. A place of escape, but from what?

Now in her thirties, Cat has turned her back on her past. But when she receives news that one sunny morning, El left harbour in her sailboat and never came back, she is forced to return to Westeryk Road; to re-enter a forgotten world of lies, betrayal and danger.

Because El had a plan. She’s left behind a treasure hunt that will unearth long-buried secrets. And to discover the truth, Cat must first confront the reality of her childhood – a childhood that wasn’t nearly as idyllic as she remembers…

I’m going to use a cliche because it’s true – I couldn’t put this book down. Every page was a pleasure to read.

The narrative takes you from past to present, as Cat returns to her childhood home to try and make sense of her twin sister’s disappearance. But there are so many reasons she left and coming home brings all those things back to the surface. Switching like this can often be clunky and awkward, but here it works so well and the flashbacks, the details of the twins’ strange childhood, are beautifully done, so evocative and detailed.

As the past is slowly revealed, the tension really grows, and the reader is pulled along by the narrative, as almost every page seems to reveal another piece of the puzzle. It’s expertly done, absolutely gripping.

A very impressive debut. Very much looking forward to her next book.

‘Ash Tuesday’ by Ariadne Blayde #RBRT #FridayReads

I read ‘Ash Tuesday’ for Rosie Amber’s Book Review Team.

In New Orleans, the dead talk and the living listen. 

Giving ghost tours on the decaying streets of the French Quarter isn’t exactly a high-profile career, but the guides at Spirits of Yore Haunted Tours are too strange and troubled to do anything else. They call themselves Quarter Rats, a group of outcasts and dreamers and goths who gather in hole-in-the-wall bars to bicker, spin yarns, and search for belonging in the wee hours of the night after the tourists have staggered home. 

Through the ghost stories they tell, their own haunted lives come into focus. Like the city they call home, these tour guides are messy with contradiction: they suffer joyfully, live morbidly, and sin to find salvation. 

Weaving together real New Orleans folklore with the lives of eleven unforgettably vibrant characters, Ash Tuesday is a love letter to America’s last true bohemia and the people, both dead and living, who keep its heart beating. With her debut, Blayde has carved out a deep and uber-readable interpretation of what it means to live, love, and grieve in New Orleans.

“There’s something about New Orleans. Maybe you can trace it to Latin America or the Caribbean or maybe not, maybe you can’t define it at all. The divine? The diabolical? I don’t know what to call it. But there’s magic, here.” 

New Orleans has a rich and bloody history, so it’s hardly surprising that its streets and buildings should be full of ghosts. And the author of ‘Ash Tuesday’ has found a wonderful way of telling those stories, along with the stories of an eclectic cast of characters, the ghost tour guides of Spirits of Yore.

It is Mardi Gras, and the city is full of tourists. We follow each of the guides as they give their tours, and then stay with them, learning about their lives, their struggles, their hopes, loves, dreams and pasts. And watching over it all is Kat, whose story is saved for the bittersweet ending.

This is one of the most beautifully crafted books I’ve read, every page, every paragraph a pleasure to read. I didn’t know much about New Orleans, but now I feel as though I know it well, and can see it so clearly from the author’s evocative descriptions – descriptions that never interfere with the narrative but provide a clear sense of time and place, conveying the atmosphere of chilly, eerie nights and bright carnival parades with equal skill.

The characters are brought to life with love and honesty. I adored Veda, and lovely Max, and wished so much for the other guides to understand Angela a bit more. The interactions between them all felt so real.

This is a book that will appeal not just to those who enjoy a good ghost story (although there are plenty of those), or those who are interested in history or in New Orleans. Because this is a novel that is fundamentally about people, their faults and their flaws, their mistakes and their victories, their love (and sometimes their hatred) for each other, and the ways in which we can let the past, and the people in the past, break us, or we can find our own ways forward, with people who love us for who we are.

A wonderful book.

‘The Assistant’ by S.K. Tremayne #BookReview #FridayReads

She watches you constantly.
Newly divorced Jo is delighted to move into her best friend’s spare room almost rent-free. The high-tech luxury Camden flat is managed by a meticulous Home Assistant, called Electra, that takes care of the heating, the lights – and sometimes Jo even turns to her for company.
 
She knows all your secrets.
Until, late one night, Electra says one sentence that rips Jo’s fragile world in two: ‘I know what you did.’ And Jo is horrified. Because in her past she did do something terrible. Something unforgivable.
 
Now she wants to destroy you.
Only two other people in the whole world know Jo’s secret. And they would never tell anyone. Would they? As a fierce winter brings London to a standstill, Jo begins to understand that the Assistant on the shelf doesn’t just want to control Jo; it wants to destroy her.

This is such an excellent premise for a novel. How reliant we have all become on technology, when most of us don’t really understand it or what we’re signing up for. The idea that all those Alexas could turn on us has so much potential.

This has all the elements necessary for a real page-turner. And there are parts of it that work really well. The terror that Jo begins to feel builds and builds and there is real tension. Her frustration and her helplessness in the face of what the Electra’s are able to do to her work, her reputation, her family, her life comes across clearly.

However, there is too much here that just doesn’t feel realistic. Jo isn’t easy to like, and it’s hard to understand why everyone else is so enamoured of her (to the extent that one friend lets her live rent free in their flat, and her newly ex-husband drops his wife and new baby to help her out). The way she treats her mum is awful. And I was quite disappointed in the ending.

So lots of promise that didn’t quite hit the mark for me, but worth a read.

‘The Chalet’ by Catherine Cooper #BookReview #TuesdayBookBlog

French Alps, 1998

Two young men ski into a blizzard… but only one returns.

20 years later

Four people connected to the missing man find themselves in that same resort. Each has a secret. Two may have blood on their hands. One is a killer-in-waiting.

Someone knows what really happened that day.

And somebody will pay.

This is a solid mystery/thriller from an author who can obviously write well.

The author clearly knows the Alps well, and the sense of place and time is excellent. It’s really easy to picture the chalet and the slopes. It’s a great idea for the setting for a novel of this type.

There is suspense, and there are twists and turns that work really well, and the writing itself is good.

However, while there is always a place for horrible characters in a novel, I just couldn’t like anyone in this story, even the one character that I was supposed to like and to root for. The back story felt rather contrived and cliched unfortunately, and there were too many coincidences to make the set up feasible.

So, all-in-all, a bit of a miss.

‘The Liar’s Dictionary’ by Eley Williams #Fridayreads #BookReview

Swansby’s New Encyclopaedic Dictionary is riddled with fictitious entries known as mountweazels penned by Peter Winceworth, a man wishing to make his lasting mark back in 1899. It’s up to young intern Mallory to uncover these mountweazels before the dictionary can be digitised for modern readers.

Lost in Winceworth’s imagination – a world full of meaningless words – will Mallory finally discover the secret to living a meaningful life?

There was a great deal that I really liked about this book. It is really funny and clever in places, and I loved Mallory, the main character.

I rather liked the idea of the job she had – to find fictitious words in Swansby’s New Encyclopaedic Dictionary. Words that, as we find out through flashbacks, have been placed there by lexicographer Peter Winceworth (never was a name more apt) in 1899 – a man frustrated by his work, his workmates and the world, and who wishes to make a mark on that world.

The rogue words are really good fun, and the novel is charming, unusual, witty and clever. However, sometimes the definitions go a little too far and do bog the narrative down a bit.

That said, this is an entertaining and engaging novel.

How to Help Your Editor #AmWriting #WritingaNovel #WritingCommunity

An honest, professional yet friendly relationship between editor and client is crucial in order to make your manuscript the best it can be. Your editor wants to help you, to guide you, to advise and to encourage you in your writing journey. To do this, there are some things that your editor needs from you.

Read the FAQs

This may be the first time you’ve worked with an editor. You should have lots of questions and most editors will be more than happy to answer any concerns that you have. But before you send a lengthy email, have a look at your editor’s blog or website and see if they have a Frequently Asked Questions page. You will probably find a lot of the answers to your questions here.

Send your manuscript on time

If you have agreed a date with your editor, then do please make sure you send your manuscript on time. Even a morning’s delay can have an impact on your editor’s schedule. It is probably best to send the manuscript the day before, at the latest.

Read payment terms carefully and adhere to them

Editing can be an expensive business. But it is your editor’s job, their livelihood. They may be relying on the fee that you have agreed to pay bills, for example. Please pay on time – just because you have a sudden extra expense, it doesn’t mean that your editor should have to wait to be paid. You have entered into a professional agreement – be professional about it. And do accept that your editor is investing their time. Don’t expect them to edit for nothing, or for a pittance. I’ve seen editors and proofreaders offering their services for next to nothing. As with most things in life, if a deal seems to be too good to be true, then it probably is. Check your editor’s credentials and do bear in mind that old saying – ‘you get what you pay for’.

Be open to advice

You are paying your editor for their expertise and their knowledge. If they offer you advice take it in the spirit it is intended. It is there to help you.

Keep in contact

Let your editor know how things are going. I care very much about my clients and their books. I want to know how you’re doing, how the book’s doing, if you’ve had positive reviews (or not!).

Check if they want to be acknowledged

As an editor working mainly with independent writers, I have no control over what is eventually published. I can only correct, improve and advise. I cannot force a client to take that advice, make those improvements or even accept the spelling or grammatical corrections that I make. I have, on more than one occasion, advised clients, have had that advice ignored, have seen that client publish the book and then seen reviews making the points I have raised. It is excruciating to have a client ignore your advice and then to see a reviewer say that the book could do with a thorough edit. On the other hand, your book is your book and you are perfectly within your rights to ignore my advice and recommendations. But if you do so, then please don’t thank me for my editing in the acknowledgements. While I appreciate the thought, it makes me look like a terrible editor!

Give feedback

You know how lovely it is when your editor says good things about your writing? How it makes you feel wonderful? Well, it’s lovely when you tell an editor how pleased you are with their work, how you appreciate their help and advice. And it’s also really helpful, if not so lovely, to know if something wasn’t quite right.

Recommend them!

The majority of my clients now come from recommendations – something that makes me incredibly happy! It is a minefield out there. I am a member of a certain reading/writing website and I do belong to editors’ groups on that site. Almost every day I see people advertising their editing and proofreading services. Sometimes I have a look at their websites (it’s good to keep an eye on the competition after all!) and, while there are some fabulous editors, there are also people who set themselves up as editors with absolutely no relevant experience, qualifications or knowledge whatsoever. So what does a writer do? Apart from looking at an editor’s blog/site extremely carefully, I do think it’s a great idea to ask for recommendations from your fellow writers. And if you do work with an editor that you feel did a great job, then please tell everyone else!

 I am an experienced editor, and have worked on more than five hundred projects in a variety of genres including dystopian, romance, memoir, erotica, YA, fantasy, short stories, poetry and business. I am happy to edit in either UK or US English. 

I have a first degree in English Language and Literature and a master’s degree in creative writing.

Read testimonials from clients

Find out about my editing services

Contact me

‘Dark Corners’ by Darren O’Sullivan #TuesdayBookBlog #BookReview

You thought you’d escaped your past

It’s been twenty years since Neve’s best friend Chloe went missing. Neve has never recovered and promised herself she’d never go back to that place.

But secrets can come back to haunt you

When Neve receives news that her first boyfriend Jamie has gone missing, she’s forced to return. Jamie has vanished without a trace in a disappearance that echoes the events of all those years ago. Somebody is watching and will stop at nothing until the truth about what took place that night is revealed …

Neve left the mining village where she grew up after her best friend Chloe disappeared. Now, after the breakup of her relationship, and struggling to run a business with her friend, she returns to help in the search for another friend, and her first love, Jamie.

The story switches between the present day, and the events of twenty-one years ago. This is done very well, and there is no confusion. The plot is quite complex and there are lots of twists and turns to keep mystery fans happy, and the atmosphere is quite spooky. The writing is very good in places, particularly in the evocative descriptions of the abandoned mine, the headframe watching over everything.

But I did find it hard to really connect to the characters, which made it difficult to really feel the tension. and there were quite a few errors in the text, including a lot of unintentional switches from past to present tense in the earlier chapters.

I also found the ending a bit of a disappointment.

So, not for me, unfortunately, but the book does have a lot of really great reviews, so the author is worth checking out if you’re a fan of the mystery genre.

Verisimilitude – or Keeping it Real #writingcommunity #amwriting #writinganovel

Verisimilitude – what a fabulous word!

It means, according to Oxford Dictionaries, the appearance of being true or real. It’s incredibibly important when writing fiction.

Writing is always a balancing act. You want to transport your reader, to take them on a journey, possibly have them experience things that they wouldn’t normally experience through your characters. So why the need for realism, for truth? After all, this is fiction right?

Well, yes, it is, and in a way, writing fiction is lying. We writers of fiction spend our days lying. But as anyone who has ever successfully lied to their parents about where they were the night before, or to their teacher about where their homework is, or to their boss about how they were really sick the day before and just couldn’t possibly have made it to work knows, the secret of a good lie is that it rings true.

Fiction is just like that. You are methodically, carefully and imaginatively building a world for your characters. A world that doesn’t exist. The appearance of truth is essential to help build that world, that lie. One wrong move, one wrong word, and the illusion collapses.

So how do you ensure that you keep the ‘reality’ of your fictional world intact? Here are the pitfalls to avoid:

  • Something unusual happening in your fictional world that you haven’t prepared your reader for
  • A character that notices something they wouldn’t notice in real life, says something they wouldn’t say, or does something they wouldn’t do
  • In fantasy, a character not using a skill that you have given them when they should do so
  • Unrealistic dialogue that is used to convey information 
  • In historical fiction particularly, an object, custom, behaviour that didn’t exist or wouldn’t have happened in the time in which your novel is set
  • Continuity. This is as important in fiction as it is in films. For example, if your character has his hands handcuffed behind his back, don’t have them in front of him two minutes later (as with Nash’s handcuffs in Reservoir Dogs).

Much of writing is about building believable and compelling worlds, but those worlds must follow a logic that the reader can relate to, understand, and around which you can create interesting and dynamic stories. 

I am an experienced editor, and have worked on more than five hundred projects in a variety of genres including dystopian, romance, memoir, erotica, YA, fantasy, short stories, poetry and business. I am happy to edit in either UK or US English. 

I have a first degree in English Language and Literature and a master’s degree in creative writing.

Read testimonials from clients.

Find out about my editing services.

Contact me.

Using Flashbacks #amwriting #writingcommunity #writinganovel

A flashback in a novel is a scene that takes place before the story begins, taking the reader back to a situation or event that happened in the past. Flashbacks can work really well to give context or explain motivation, but they need to be written really carefully.

  • Make sure a flashback follows a strong scene. Flashbacks can be problematic in that they remove your character and therefore your reader from the action in your narrative. A strong preceding scene can ensure that the narrative is sustained.
  • Ensure your reader knows exactly where and when they are. Make the transition into the past clear.
  • Use the correct verb tense. If your main narrative is written in past tense, then the first sentences of the flashback should be in past perfect. You can then continue in simple past.
  • When the flashback is over, make sure the transition to the ‘present’ of the narrative is smooth and clear, so that your reader isn’t confused or disorientated.
  • Acknowledge the flashback. It should have an effect on the character who experienced it and on the narrative.

 I am an experienced editor, and have worked on more than five hundred projects in a variety of genres including dystopian, romance, memoir, erotica, YA, fantasy, short stories, poetry and business. I am happy to edit in either UK or US English. 

I have a first degree in English Language and Literature and a master’s degree in creative writing.

Read testimonials from clients

Find out about my editing services

Contact me