From the pleasure palaces and gin-shops of Covent Garden to the elegant townhouses of Mayfair, Laura Shepherd-Robinson’s Daughters of Night follows Caroline Corsham as she seeks justice for a murdered woman whom London society would rather forget . . .
London, 1782. Desperate for her politician husband to return home from France, Caroline ‘Caro’ Corsham is already in a state of anxiety when she finds a well-dressed woman mortally wounded in the bowers of the Vauxhall Pleasure Gardens. The Bow Street constables are swift to act, until they discover that the deceased woman was a highly paid prostitute, at which point they cease to care entirely. But Caro has motives of her own for wanting to see justice done, and so sets out to solve the crime herself. Enlisting the help of thieftaker Peregrine Child, their inquiry delves into the hidden corners of Georgian society, a world of artifice, deception and secret lives.
But with many gentlemen refusing to speak about their dealings with the dead woman, and Caro’s own reputation under threat, finding the killer will be harder, and more treacherous, than she can know . . .
This combines all the twists and turns of a really clever murder mystery with meticulous research, and a fabulously written main character – mystery, history and a female lead that you really care about.
Lady Caroline Corsham (Caro) discovers her friend, who she believes to be an Italian countess, dying in a bower in the Vauxhall Pleasure Gardens. Caro is shocked to discover that ‘Lucia’ is actually Lucy Loveless, a high-class prostitute. When the police don’t seem to care about Lucy’s murder, Caro, determined to get to the truth and to secure justice for Lucy, begins an investigation herself. Along with theiftaker Peregrine Child, she begins an investigation that brings to light some very dangerous goings-on in Georgian society – some of which are rather close to home.
This is a very long book – almost six hundred pages in paperback format. It does manage to hold your interest for the most part – but I did feel it could have been cut back a little. There were times when I just wanted to get on with the story. That said, the historical detail has been meticulously researched and the narrative is full to the brim with little details that immerse the reader in late eighteenth century London.
Clever, exciting, beautifully written, just a little bit too long – but that won’t stop me reading more by this author.
Alison Williams Writing 