Month: August 2018

***Bank Holiday Sale – 20% Off*** #editing #selfpublishing

Last chance to get a 20% discount on editing services – offer ends today!

Alison Williams Writing

specialoffer(1)

To celebrate a rather windy and rainy August Bank Holiday (at least here in the UK) I am offering clients a special 20% discount for any services booked from an enquiry made before Friday 31st August for September and October.

summer rain Just a typical ‘summer’ bank holiday in the south east of England!

If you’re reading this, the chances are you’re thinking of self-publishing or you might be thinking of sending out your work to agents and publishers. You’ve spent hours writing. You’re proud of your work, but nervous about how it will be received. You’ve spent time revising and polishing when you could have been doing other things. If you’re self-publishing, you may have already paid out for a professionally designed book cover. You really need to start making some money on this project. So you don’t need the extra expense of an editor do you? Well, yes, you…

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***Bank Holiday Sale – 20% Off*** #editing #selfpublishing

specialoffer(1)

To celebrate a rather windy and rainy August Bank Holiday (at least here in the UK) I am offering clients a special 20% discount for any services booked from an enquiry made before Friday 31st August for September and October.

summer rain

Just a typical ‘summer’ bank holiday in the south east of England!

If you’re reading this, the chances are you’re thinking of self-publishing or you might be thinking of sending out your work to agents and publishers. You’ve spent hours writing. You’re proud of your work, but nervous about how it will be received. You’ve spent time revising and polishing when you could have been doing other things. If you’re self-publishing, you may have already paid out for a professionally designed book cover. You really need to start making some money on this project. So you don’t need the extra expense of an editor do you? Well, yes, you probably do.

You’ve written your masterpiece. You’ve had family and friends read it; they’ve pointed out a few typos but have told you it’s wonderful and that you should publish or send it out to agents. So that’s what you do next, right? Well, possibly – if your friends and family are completely impartial and will tell you the honest truth. And if you are completely sure that you’ve managed to catch every typo and grammatical error in your copy. And if you’re one hundred per cent sure that there’s nothing that can be improved, corrected and enhanced by a completely impartial, professional eye – by someone who edits as their job and whose reputation depends on how well they do that job.

You need an editor because not only will you not see all the typos and grammatical errors (and there will be lots of those), but you will be too invested in your work to see it impartially. You know your characters and your plot inside out. You know the sequence of events and why and how things happen. And this is where the problem lies. You can’t ‘un-know’ all of that, so you can’t see the flaws in plot, in structure, in characterisation. You can’t read your book from beginning to end the way a reader will. And if there are flaws and inconsistencies, if there is more than the odd typo, then your readers, if you publish without having had a thorough edit, will be happy to point them out in reviews.

bad-review

I’ve self-published. I understand how attached you are to your work. I know how horrible it is to send that work to someone else and have them criticise it, however constructively. However, I also know that this process is far less painful than sending your precious work out there, warts and all, to have those warts picked over by readers and reviewers.

So the question is not ‘Can I afford to hire an editor?’ but ‘Can I afford not to?’

And if you’re considering making that step, then do get in touch. My offer means that if you request a quote and a sample edit before this Friday, 31st August, and you go on to make a booking, then the cost of your edit will be discounted by 20%. So a combined edit/proofread will be £3.60/$4.80 per thousand words. This comprises of an edit for spelling, grammar, sentence structure, flow, characterisation, continuity, plot consistency and style. I will also correct any typos, grammar errors and spellings. I use the track changes facility in Word and will provide you with two copies of the edit: Edit 1 shows all changes made so you can trace what I have done, Edit 2 is a clean copy with all changes accepted – this will show you how the manuscript will read if you accepted all the changes that I’ve made. Having both copies means that you can easily see the difference the changes will make, while still having the option to choose whether or not you want to make those changes. You can go through Edit 1 accepting or rejecting each change as you see fit. As well as the edits, I will write a detailed report focusing on plot, structure, characterisation, pace, setting and style, making suggestions for any changes. An 80,000 word manuscript will now cost £288/$384, a saving of £72.00/$96.00.

If you would like to book an edit followed by a separate proofread, the discounted cost is £4.40/$5.80 per thousand words.

Two edits of your manuscript followed by a separate proofread costs £6.00/$8.00 per thousand words.

Still unsure? Have a look at my testimonials. And you’ll get a free sample edit of your first 1500 words before you commit to anything, so you can be completely sure that my editing services are right for you.

Do get in touch via the contact page, send an email to alisonewilliams@sky.com, or give me a call on 07891 065 012.

Have a lovely weekend!

weekend

 

 

Rosie’s #Bookreview Team #RBRT Murder #Mystery Brand New Friend by @k8vane

My review of ‘Brand New Friend’ by Kate Vane for #RBRT – well-crafted and intelligent writing with authentic characters.

Rosie Amber

Today’s team review is from Alison, she blogs here https://alisonwilliamswriting.wordpress.com/

#RBRT Review Team

Alison has been reading Brand New Friend by Kate Vane

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Successful journalist Paolo is feeling a little dissatisfied with life. Forced back to the UK from a happy life in Cairo, his wife is distant, his work frustrating. Then Mark, an activist from Paolo’s student past is revealed to be an undercover police officer who had eschewed life in the force to become a real activist. He contacts Paolo, and things get more interesting when a body is found in the community garden where Mark works. The story leads Paolo back to his university days and the reader is taken along with him as the author weaves together past and present.

I was a teenager in the eighties, and a student in the very early nineties and so I absolutely loved the references in this novel to the music…

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‘Stiff’ by Mary Roach #BookReview #ThrowbackThursday

Renee at It’s Book Talk began this meme to share old favourites and recommendations, and I discovered it through Between the Lines.

stiff

Waterstones   Amazon.co.uk

What happens to your body after you have died? Fertilizer? Crash Test Dummy? Human Dumpling? Ballistics Practise?

Life after death is not as simple as it looks. Mary Roach’s Stiff lifts the lid off what happens to our bodies once we have died. Bold, original and with a delightful eye for detail, Roach tells us everything we wanted to know about this new frontier in medical science.

Interweaving present-day explorations with a history of past attempts to study what it means to be human Stiff is a deliciously dark investigations for readers of popular science as well as fans of the macabre

I have a bit of a fascination with death but I’m not a morbid person. I just feel that it’s a normal part of life (after all, it happens to everyone) that we tend to ignore, or hide away, or pretend doesn’t happen. We don’t want to know the details, the realities. And I think that this reluctance to recognise death and its processes, the rituals around it, have made us less connected to it, and, in turn, more fearful.  We’ve made death something secret, unknown. This book lifts the lid on death, detailing practically everything that could happen to you once you’re dead, including unusual after-life occupations such as being a crash test dummy, becoming part of an exhibition, helping surgeons learn their art, helping scientists understand decomposition or, if you go the more traditional route, what happens in a cremation or what happens once you’ve been buried.

It sounds morbid, but it isn’t. Roach’s writing is funny, respectful, warm and informative. I don’t believe in a god, or a heaven or an afterlife – I’m very happy with this one, thank you very much. There’s nothing once you’re gone and it seems a terrible shame to me that bodies that could do so much good and help so much are literally allowed to go to waste. I’ve always made my feelings known to my family – researchers can have as much of me as they want. I don’t want a funeral or a grave that my children feel indebted to visit when I’m not even there and all they’re doing is making a crematorium owner very rich. How much better will it be if my no longer needed remains help find a cure for a disease, or help investigators to improve safety in transport. And what’s left I’d be happy to have made into compost (you can have this done you know!). Roach’s book details all of these options and more, with warmth and honesty.

For a book about death, it was weirdly uplifting, and life-affirming. All we have is the here and now, and death is a part of life. We are so uniformed; we make death into something horrific and other. But as Roach so clearly and entertainingly shows, it’s part of being human and it’s something we should know more about.

4.5 out of 5

Yes, we do judge a book by its cover! #writingtips #amwriting

pencils

It’s a very old and very well-known saying that you shouldn’t judge a book by its cover. But this is a saying that shouldn’t be taken literally. While I urge you not to judge other things in life by their appearance (particularly people!), it’s usually a safe bet that a poorly designed book cover means a poorly executed book.

Unfair? Well, taking off my editor hat and putting on my reader hat for a minute, if I’m going to spend my (very) hard-earned cash on a book, I want to make sure I spend it wisely. And what have I got to go on when I browse the endless goodies on offer on Amazon? I have the blurb, (please authors – get this right. It is NOT a synopsis), the reviews (if I can trust them), and I have the cover. And I won’t get to the blurb or the reviews if the cover doesn’t grab me in the first place.

A good, well-thought out, attention-grabbing cover tells me that this author cares – cares about their work, cares about their book, cares about their reader. A poorly executed cover sends warning bells ringing that this author hasn’t researched the self-publishing world thoroughly, doesn’t understand what they need to do to publish successfully, and has probably rushed to publish.

So what makes a good cover, and what doesn’t? And what should you bear in mind when designing your cover?

Think thumbnails. Will your cover stand out in that tiny, tiny little space it will have in a search?
Think genre. What’s your book about? If it’s a romance, go for an image that says romance. If it’s a gritty detective story, then show that in your cover. Don’t be vague, and don’t overthink it.
Think trends. I hate to say it, but there are fashions in book covers as there are in anything else. Look at other books in your genre and see what’s popular at the moment. People know what they like and they may go for a book by an author they don’t know if the cover reminds them of a book they’ve liked (although don’t plagiarise, obviously). But do give it your own twist and be original too.
Think title. Make sure it stands out and that people can read it. Make sure the font is clear and big enough.
I’ve seen covers with dreadful hand-drawn images, cut and paste pictures that are the wrong size and perspective, and random images that have nothing to do with the book itself. There are blogs devoted to showcasing the worst of these – which, while it’s easy to laugh, it’s also heart-breaking that these authors haven’t done the research and have set themselves up for ridicule.

Self-publishing can be an expensive business – but there are some things that cannot be scrimped on. Editing, proofreading and a great book cover are worth investing in. There are some great designers out there who do a good job and don’t cost the earth (although you shouldn’t expect to pay peanuts for a professional). Research, ask for recommendations; if you see a self-published book with a great cover ask the author who designed it – most will be more than happy to give you a recommendation. If you’ve spent time crafting a wonderful novel, give it the polish and packaging it deserves.

‘While You Sleep’ by Stephanie Merritt #TuesdayBookBlog #BookReview

sleep

Waterstones   Amazon.co.uk

A house full of secrets…
The McBride house lies on a remote Scottish island, isolated and abandoned. A century ago, a young widow and her son died mysteriously there. Last year a local boy, visiting for a dare, disappeared without a trace.
A woman alone at night…
For Zoe Adams, the house offers an escape from her failing marriage. But when night falls, her peaceful retreat is disrupted—scratches at the door, strange voices—and Zoe is convinced she is being watched.
A threat that lurks in the shadows…
The locals tell Zoe the incidents are merely echoes of the house’s dark past. Zoe is sure the danger is all too real—but can she uncover the truth before she is silenced?

A remote Scottish island, a creepy house, the wind moaning, waves crashing, a terrifying legend and the kind of locals that all go silent when you walk into the pub – what more could you ask for?
Zoe is looking for peace and quiet and isolation so she can get her head together. A beautiful old house miles from anywhere seems ideal. But the house has a mysterious past and the locals are a bit cagey. Strange things begin to happen – but this isn’t bumps in the night and rattling chains; there’s a weird feeling in the house and Zoe’s dreams are vividly erotic and very unsettling.
But this is no Fifty Shades (thank goodness) and the sex is, on the whole, well-written. And what the writer does especially well is to weave a really suspenseful and at times terrifying tale. The claustrophobic atmosphere of the house, the isolation, the fear that Zoe feels are so well portrayed – you feel terrified for her.
I also liked the weaving of myth and history with the reality of the characters’’ present. It’s done really well, and there are two stories going on here, that of Zoe and that of Ailsa, the widow who died a century before. Ailsa’s story is fascinating – it could probably be a whole different novel in itself.
It’s truly a gripping read, well-paced, dark, but fun too if you like to be scared! I thoroughly enjoyed reading it.

four-and-a-half-stars

Thanks to NetGalley and the publisher for the review copy.

 

‘DEAR THIEF’ BY SAMANTHA HARVEY #THROWBACKTHURSDAY #BOOKREVIEW

Renee at It’s Book Talk began this meme to share old favourites and recommendations, and I discovered it through Between the Lines.

dear thief

Waterstones Amazon.co.uk

In the middle of a winter’s night, a woman wraps herself in a blanket, picks up a pen and starts writing to an estranged friend. In answer to a question you asked a long time ago, she writes, and so begins a letter that calls up a shared past both women have preferred to forget.

Without knowing if her friend, Butterfly, is even alive or dead, she writes night after night – a letter of friendship that turns into something more revealing and recriminating. By turns a belated outlet of rage, an act of self-defence, and an offering of forgiveness, the letter revisits a betrayal that happened a decade and a half before, and dissects what is left of a friendship caught between the forces of hatred and love.

This book was an absolute joy to read. The quiet but stunningly beautiful narrative tells the story of a woman who has been betrayed, who is now addressing that betrayal, confronting, if only in words, in a letter, the friend who let her down.

But there isn’t bitterness, or spite, and the novel is much more than the premise suggests. Through the letter, the narrator weaves two tales – the story of her own past and its links to her friend, known as Butterfly, and also the present, that she imagines for Butterfly, a woman she hasn’t seen for years. She doesn’t know where she is, or what she is doing, or even if she is still alive, so she creates a life, and in doing so exacts something like revenge.

The writing seems effortless, flowing and lyrical at times. The characterisation is spot on- the narrator is middle-aged, separated from her husband, has a difficult job, and she has all the insecurities and the regrets that come with that. She is hard on herself at times, and too easily forgiving of herself at others. Her pain, her sense of betrayal, but also her love are vividly shown through her words.

A powerful book from an incredibly talented writer.

5 stars

‘Brand New Friend’ by @k8vane #rbrt #fridayreads #bookreview

#RBRT Review Team

I read ‘Brand New Friend’ for Rosie’s Book Review Team

Brand New Friend by Kate Vane

Amazon.co.uk

Wherever Paolo went, Claire had got there first. The gigs, the parties, the enigmatic artist he was sure he was in love with. He would never have joined the group if it hadn’t been for Claire. And maybe, if he hadn’t, no one would have died.

Journalist Paolo Bennett learns that Mark, an animal rights activist he knew as a student in the 80s, has been exposed as a former undercover cop. A news blog claims Mark was the fabled spy who never went back, who liked his new life better than his own.

Paolo wants the truth. He wants the story. Despite everything, he wants to believe his friend. But Mark isn’t making it easy for him, disappearing just as everyone wants answers.

Was their group linked to a death on campus, one the police were strangely reluctant to investigate? Why is Mark’s police handler lying dead in his garden?

And why does Paolo suspect, even now, that Claire knows more than he does?

Successful journalist Paolo is feeling a little dissatisfied with life. Forced back to the UK from a happy life in Cairo, his wife is distant, his work frustrating. Then Mark, an activist from Paolo’s student past is revealed to be an undercover police officer who had eschewed life in the force to become a real activist. He contacts Paolo, and things get more interesting when a body is found in the community garden where Mark works. The story leads Paolo back to his university days and the reader is taken along with him as the author weaves together past and present.

I was a teenager in the eighties, and a student in the very early nineties and so I absolutely loved the references in this novel to the music I loved and the politics I was interested in – honestly, I could have been one of these intense students, going on anti-vivisection demos and listening to the Smiths and Echo and the Bunnymen, lecturing everyone about the gelatine in their wine gums – yes, that was me. And I can vouch for the authenticity of the writing here – it’s spot on and brings those years to life so well.

So not surprisingly the sections set in the eighties were the highlight for me, but that’s not to say that the rest of the book isn’t really good. There’s a very clever and a very pertinent story here, one that encompasses the issues of the past and current political and environmental issues, and that includes fracking, the Arab Spring, and the scandal around the undercover police officers who infiltrated pressure groups.

The mystery around the murder seems secondary to a large extent – to me, this novel felt that it was about its characters, the dynamics between them, their hopes and aspirations, and how those dreams and ambitions were either realised or thwarted. The murder and the mystery surrounding it feel like something to tie these stories together and I do think that if you’re a fan of crime fiction then you might be a little disappointed. But if you like a good story, with well-crafted and intelligent writing, and real authentic characters, then you’ll enjoy this novel.

4 stars

 

 

 

‘Furiously Happy’ by Jenny Lawson #throwbackthursday #bookreview #bloggesstribe

Renee at It’s Book Talk began this meme to share old favourites and recommendations, and I discovered it through Between the Lines.

This is one of the books I mentioned on my post about mental health yesterday – and I recommend it to everyone!

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Waterstones   Amazon.co.uk

In Let’s Pretend This Never Happened, Jenny Lawson regaled readers with uproarious stories of her bizarre childhood. In her new book, Furiously Happy, she explores her lifelong battle with mental illness. A hysterical, ridiculous book about crippling depression and anxiety? That sounds like a terrible idea. And terrible ideas are what Jenny does best.

As Jenny says: ‘You can’t experience pain without also experiencing the baffling and ridiculous moments of being fiercely, unapologetically, intensely and (above all) furiously happy.’ It’s a philosophy that has – quite literally – saved her life.

Jenny’s first book, Let’s Pretend This Never Happened, was ostensibly about family, but deep down it was about celebrating your own weirdness. Furiously Happy is a book about mental illness, but under the surface it’s about embracing joy in fantastic and outrageous ways. And who doesn’t need a bit more of that?

I’m a huge fan of Jenny Lawson’s blog ‘The Bloggess’ which has had me laughing and crying on many occasions. I also adored her first book ‘Let’s Pretend This Never Happened’, so I was so excited to read her second book.

Jenny is breathtakingly and beautifully honest about her mental health issues. She has crippling depression and anxiety, and, on top of this, also has to contend with problems with her physical health.  I’ve read a lot of books about these issues, but never have I read an author as inspiring, as honest and open and as terribly, horribly funny as Jenny Lawson.

This book focuses more on mental illness than the first book, but is no less hilarious for that. Jenny writes about her struggles with disarming honesty, the effects it has had on her life, her career and her family. She clearly adores her family,  but they don’t escape her unusual sense of humour. The arguments she has with husband Victor are a highlight of the book, as Jenny often goes off on a tangent that Victor finds increasingly difficult and frustrating to follow. But her love for him and his for her is touchingly shown when she tells him his life would be easier without her.

“It might be easier,” he replies. “But it wouldn’t be better.”

A brief run through of some of the chapter titles tells you most of what you need to know about this book:

‘George Washington’s Dildo’

‘LOOK AT THIS GIRAFFE’

‘Death by Swans Is Not as Glamorous as You’d Expect’

and

‘Cat Lamination’

are a few of my particular favourites.

While the book is very, very funny, it’s also very, very emotional to read, at least it was for me. Jenny’s mental health issues mean that she often can’t function, that she hides in hotel rooms when she’s supposed to be promoting her work, that she often feels like a failure because she can’t cope with the things other mothers seem to excel at, like PTA meetings. But she’s determined that when she feels fine, that when she can face life, that she will really live, that she will be ‘furiously happy’. She understands that there’s a flip side to the extreme emotions that depression brings – that she has the ability to also experience extreme joy, and she’s determined that she will have a storeroom of memories for those dark times, filled with moments

‘of tightrope walking, snorkelling in long-forgotten caves, and running barefoot through cemeteries with a red ball gown trailing behind me.’

As she says, it’s not just about saving her life, it’s about making her life.

Despite great breakthroughs in recent years, mental illness still carries a stigma. But sufferers are no more to blame for their illness than people with cancer, or MS or anything. Jenny’s writing humanises mental illness. She isn’t ashamed, and neither should anyone else be. The epilogue, ‘Deep in the Trenches’ made me cry. It’s the most touching, insightful, compassionate and beautiful piece of writing I’ve ever read about living with mental illness, or helping someone you love to live and to live fully.

And I’ll always be grateful for the very clever, but characteristically quirky, ‘spoons’ analogy. I read this part of the book at exactly the right time, and it really helped with a situation where someone I love really didn’t have enough spoons. Read it – you’ll get it, and it might help you too.

I love this book, and if I could give it more stars I would. Yes, it’s incredibly funny, but it also says something extremely important. If you have mental health issues, or care for someone who does, please, please read this.

5 stars

Writing About Mental Health #mentalhealth #amwriting

 

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medium.com

I’ve read, and edited, a lot of books that address the many issues associated with mental health. Whether fiction or non-fiction, it is so important that the writer gets the details right, and, unfortunately, many do get things wrong, sometimes very wrong.

According to the mental health charity Mind, approximately 1 in 4 people in the UK will experience a mental health problem each year. So fiction writers are absolutely right to include characters with these issues in their work. And self-publishing has meant that the self-help market has exploded, with many writing about their experiences and offering advice.

As someone with direct experience of these issues, I can’t stress enough how damaging it can be for authors and writers to get these things wrong. The wrong choice of word, the wrong representation, and you add to the enormous amount of stereotypes and misinformation out there, adding to the already difficult barriers and misconceptions that people have to struggle with every day. So how can you get it right? What should you do and what shouldn’t you do?

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Wikipedia.com

Fiction

Interesting characters, characters that your reader can identify with, are so important when writing fiction. And as mental health issues are so common, it is right that these things should be included in fiction. So how do you do this successfully?

  1. Avoid the stereotypes

Remember that mental health is complex. It comes in many forms. People with OCD don’t all spend hours a day washing their hands, and if they do it isn’t always because they have a fear of germs. And you don’t have OCD if you like to keep your books in alphabetical order and you’re very tidy. People with depression aren’t just sad. You have a responsibility, as a writer, to explode those myths and to make your characters realistic.

  1. People with mental health issues are more than their issues

They have jobs. They have families. They have hobbies. They might be horrible people. They might be heroes. Their mental health might be a big part of them – but it isn’t everything they are. They still eat breakfast. They still fall in love. They still like music and going out and films and everything else that ‘normal’ people do. Make your character the centre of your story – and that means their whole character.

  1. Do your research

As with everything you write, get your facts straight. Research, read, ask. There’s a wealth of information out there and in this day and age there’s no excuse for getting it wrong.  This goes for finding out how a character with a certain issue might behave all the way through to making sure the drugs/therapy/attitudes towards that person are consistent with the time in which your book is set.

Non-fiction

As someone who has experience of dealing with mental health issues, I can attest to the benefits that can be gained from reading self-help books. It’s wonderful to know that others have the same issues and it can be inspirational and motivational to learn about the strategies they have used that have worked. That said, I have also read a lot of rubbish – opinions and misinformation bandied about as if it’s the gospel truth. This is not only patronising, it can also be downright dangerous.

  1. Be honest

Why are you writing this book? Do you have experience? Qualifications? Or do you just have an agenda, or a theory you think is relevant that you want to share? If the former, then go right ahead, but if it’s the latter then please find something else to write about. I read a book recently that explained that the best way to get over depression was to have a positive mindset. Wow. I’m sure all those people who battle depression daily really wish they’d thought of that. To write so flippantly about something as complex as depression is not only patronising, it is irresponsible in the extreme. To write about depression, or anxiety, or OCD, or anything else, you need to understand the issue thoroughly.

  1. Again, do your research

It’s absolutely vital that you know and understand your subject. You wouldn’t write a book on coping with any other type of illness unless you had been through it yourself, had helped someone through, or if you actually had qualifications and experience in the field. Writing about mental health for the non-fiction market is no different.

  1. Be aware of your responsibilities

Imagine you are struggling with depression. You buy a self-help book. And you’re told it’s just down to you – you just need to be positive. Imagine the effect that can have on someone. Your words matter. Be careful how you use them.

There are some amazing books about mental health out there, both fiction and non-fiction. If you want to research mental health, or if you have mental health issues yourself, then I wholeheartedly recommend the following to begin with:

Jenny Lawson:

Furiously Happy

Let’s Pretend This Never Happened

You Are Here

David Adam:

The Man Who Couldn’t Stop

Joanne Limburg:

The Woman Who Thought Too Much

And there’s plenty of help and advice here too:

Mind

OCD UK

Young Minds

Beat

Bipolar UK