Fabulous review of Nicolas Winding Refn’s controversial new film ‘The Neon Demon’
Have your cake, eat it, and then throw up because you look like a pig.
Modelling is truly the Refn film’s compeer; people are ornamental, violence is sex and vapidity is substantive. The film’s ethereal L.A., guttural and glittering, finds itself somewhere in-between the arterial urbanism of Drive and the neon-drenched dank and fatalism of Only God Forgives: a lurid wonderland of rapacious wolves and fresh golden sheep. Its narrative velocity is just as medial. The story moves forward with a more accessible pace and purchase than OGF, but waits far longer to blow its gruesome load than Drive. The narrative momentum pays off, however, giving Refn’s autonomic aesthetics more credence, and his characters more to show us, to give us and present us with, and so more to be invested and involved in. It also helps that the characters are actually characters this time around, rather…
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