My current WIP involves three different centuries and was inspired by a painting by Eugene Delacroix. The painting ‘The Death of Sardanapalus’ portrays a man watching as his possessions (including concubines, slaves and animals) are destroyed around him. The painting is lavish and in some ways shocking. So just who was Sardanapalus and why did he allow this to happen?
One of the problems with trying to write about such an ancient subject is the lack of information. But I have been able to find out a surprising amount – how much is accurate, how much actually happened, is, of course, debatable, but as with all historical research, you can only learn from what’s there, keeping an open but questioning mind.
According to the Greek writer Ctesias of Cnidus (I’d be really interested to know how to pronounce that!) Sardanapalus was the last king of Assyria. Already though, it’s not that simple. The last king of Assyria was actually Ashur-Uballit II. Ctesias was a physician and historian. He wrote a series of books about the history of Assyria and Persia called ‘Persica’. Unfortunately, the books are lost. There are fragments included in other books and abridgements, but not the originals. In the account written by Diodorus, a Greek historian writing in about 30 to 60 BC. who used Ctesias as a source, we get an idea of Sardanapalus as he is later known – a decadent man, self-indulgent, concerned mainly with physical gratification.
The name Sardanapalus is most likely a corruption of the name Ashurbanipal, the last king of the Neo Assyrian Empire. However, Ashurbanipal was, by all accounts, completely different to Sardanapalus; he was a scholar, a military man, powerful and efficient. The similarities seem to lie in the fact that Ashurbanipal fell out with his brother, as does Sardanapalus in Diodorus’ account, and it is this brother’s death that bears a passing resemblance to Sardanapalus’ fate. However, nether Ashurbanipal or his brother led the type of life that Sardanapalus is associated with. Confused yet?
Delacroix was apparently not inspired by either Ctesias or Diodorus though. He took his inspriarion from the play by Lord Byron, who was inspired by Diodorus. So by the time we get to Delacroix’s painting, we are seeing something inspired by a play inspired by a Greek historian writing hundreds of years before, who was inspired by a Greek physician and historian writing about three to four hundred years before that. It’s not really surprising that things might not be completely historically accurate but we are left with this enduring idea of a lascivious, decadent, self-indulgent man who lived for pleasure.
It is this that is depicted so well and so shockingly by Delacroix – the moment when, his city besieged, Sardanapalus has everything he owns made into a huge pyre, and awaits the moment when all will be set alight, including him. It is his expression, his apparent lack of concern that really stays with you.
Of course, the painting didn’t go down too well at the time. The violence, the nudity, the actual style of the painting itself and the techniques used brought Delacroix much criticism. It was only in later years that the painting became valued for its boldness and its bravery.
A fascinating insight into this semi-historical/ mythological figure. I constantly find myself in a similar position when researching Irish mythology. I used to find it so frustrating. I have learned to accept and enjoy it for what it is. It certainly makes no difference to the creative process, in fact, if anything it adds to the sense of drama and mystique. Good luck with your writing. 😊
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Thanks Ali – seems we’ve reached the same conclusions when it comes to research 🙂
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